Middleton Moor Carving (440), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10875 51390

Getting Here

Middleton Moor CR-440

From the old T-junction in the hamlet of Langbar (where some doods have stuck up one of those ‘Private Road’ signs, typical of those Southern-types who bring their weird private land notions up here), go along the ‘private road’, keeping to the left until the road runs out. Then follow the small footpath above the house onto the moor, following the lines of walling along, crossing boggy streams, up the small hill and, once over the top and dropping down, keep your eyes peeled for the large boulder to the left of footpath, and a small scattered cairn on your right.  It just a few yards past the cairn material!

Archaeology & History

Just 20-30 yards up the slope on the north side of Dryas Dike stream, to the left of the footpath, is a small, rounded flat stone with perhaps as many as eight cup-markings on it.   Six seems more believable — though some of ’em on here (if not all) don’t look to have the air of authenticity that some of the other carvings hereabouts possess.  One of the cups has a small ‘tail’ protruding from it.  It’s a rather cute little thing!  A small, unexcavated cairn lies in ruin about 10 yards east of the crude carving.

...and from another angle

On the other side of the footpath from here is that “large boulder” I mentioned above, which is reported by Boughey & Vickerman (2003) to have “one clear cup” marking etched upon it.  They also report that archaeologists from “English Heritage report two cups and a possible short groove” on this rock. However none of the carvings reported here by either authority are man-made.  All marks on the rock are completely natural and it needs omitting from any future archaeological survey.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian

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About megalithix

Occultist, prehistorian and independent archaeological researcher, specializing in prehistoric rock art, Neolithic, Bronze Age & Iron Age sites, and the animistic cosmologies of pre-Christian & traditional cultures.
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